I had a post all planned for the Pagan Blog Project’s M week. I was going to write about the Morrigan. I was going to pour out everything I’ve been ruminating on for the past several months, as I’ve studied her, spoken with her, gotten to know her, dedicated myself to her. I was going to bring in Kali, crows, the significance of the color black. I was going to talk psychology. It was going to be a very long post.
But I got so tangled up in what I was trying to puzzle together that I missed both deadlines and barely looked at my blog for two weeks. I was so afraid I’d say something stupid.
We’ve had a guest staying with us this week, and I haven’t been doing my devotionals. I haven’t been lighting my incense or burning my essential oils. I’m afraid the smell will waft downstairs or the guest will hear me whispering and I’ll have to answer questions. The Morrigan isn’t impressed, but she’s been patient.
I have, though, been tending my garden. In my garden I have tomatoes, zucchinis, sunflowers, strawberries, lemons, nasturtiums, lavender, basil, mint, rosemary, and jasmine. Hey, sometimes a plant even produces a fruit or flower or two! Much of the time the garden is a source of frustration and stress–why are the lemons dropping again? Why is the zucchini dying? Why does the mint taste bad?–but it’s also a place that calls to me. It’s just a few pots on a patio but I’m drawn to it. I’m compelled to examine each flower, touch each leaf, whisper “welcome” to each new seedling. It’s where I commune with Cernunnos. It’s where I blow kisses to the moon. It’s where I drum while my daughter dances her funny toddler dance. And it’s where I give the Morrigan her offerings of milk.
I tried to see her as a battle goddess, as a sovereignty goddess, as a psychopomp. I tried to meditate on war and violence and colonization, thinking she had wisdom to share with me. And I know she does. But despite all that, when I think of her, all I can think about is nature. Wild lands. Hidden spiders. Twisting vines and running water. Green growing things.
I expressed in my hymn that the Morrigan fertilizes the grass with blood. This is true. Life comes out of death, and Morrigan is the one who culls, who splits open the body and disassembles it. The Morrigan doesn’t always fight on the right side, the Indigenous side or the side with nicer people or a better cause. Every body is of equal value to the Morrigan. that’s her mystery.
Cernunnos turns corpses into trees; the Morrigan supplies those corpses.
I always feel like I have to apologize for the fact that, for me, the Morrigan is primarily a goddess of the earth. For me, it’s not just one of her aspects–the fertile ground that becomes the battle field–it’s her fundamental aspect. The aspects of battle and sovereignty and prophecy and magic are offshoots. It’s the face she shows me, again and again and again, even when I try to find the others. She’s no gentle mother goddess, though–she is fierce and possessive and untamable. Her love is the love of a mama cat hissing and clawing to protect her kittens. Her love is the crow dive-bombing the hawk.
For awhile I thought I should take up a martial art as service to her. But I just have no interest in martial arts (except maybe archery). And yet she calls me incessantly. In a dream, she was teaching me to dance. The wild places make me want to dance. Tonight, on my roof, I danced by my garden, twirling in my sandals. I have no interest in warfare.
She’s the thorn on the squash plant that makes you pay for your dinner. She’s the hideous spider who bites you and keeps beetles from wrecking your plants. She’s the tree who falls on the person who didn’t deserve it, the frenzy that allows the fighter to win, the tingling of precognition, the rush of inspiration that turns into a poem, the feeling of hauntedness in the dark that is terrifying and beautiful. She’s the one-eyed hag who smiled at me during trance work, before I ever learned that Cu Chulainn put out her eye. She is my anger and my courage. She is my fierce, unapologetic love.
Nothing I’ve written here captures what she is, because she can’t be expressed in words.
She is the river and the field and the rooftop garden, the Great Queen, the crow, the horse, the eel, the wolf, the cow. She is death, death, death, and life, life, life, life, life.